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OTS and Style Variations
There is a special bonus provided to owners of the PSR-2100/2000
family called One Touch Settings (OTS). When you load any
style from all those preset styles in your keyboard, you will
also be loading four one-touch settings. You call up any of
these settings by pressing one of the four OTS buttons located
on the right-side of the keyboard. This will instantly set
your main voice, your layer voice, and your left-hand voice.
It may also set other parameters such as the harmony/echo
effect or left-hand hold. You don't have to worry about selecting
anything. Just press OTS1 and the keyboard is all set up with
voices meant to go with the style you just selected. At any
time while you are playing, you can press another OTS button
and the keyboard configuration switches to another set of
voices.
To examine the OTS for any style, load the style and then
press OTS1 and then look at the value in the main screen for
the MAIN and LAYER voices. Press each OTS button in turn and
watch how these settings change. Load another style and take
a look at the settings. The particular instruments selected
to go with a POLKA style are clearly different from what might
be selected for a COUNTRY style, which are different from
those selected for ROCK or for BIG BAND. When your keyboard
is new and you're just learning to navigate it and learn everything
that is there, these OTS buttons are great help in getting
everything set up so you can simply start playing and not
worry about how to set up your keyboard.
Understanding the STYLE CONTROL Buttons
Each style includes four different variations of accompaniment.
You select the variation you want by using the buttons under
STYLE CONTROL located on the left side of your keyboard. The
four variations are called by pressing one of the four buttons
"MAIN" buttons.
Let's take a little closer look at the STYLE CONTROL. The
button on the far left is the ACMP (for accompaniment) button.
The accompaniment voices can be turned on or off. When they
are ON, the light by ACMP will be lit. When the accompaniment
is OFF, the light will be off. If ACMP is OFF, pressing START/STOP
will start the rhythm but no accompaniment voices will be
heard. All the lights above the four MAIN buttons are always
ON. Three will be green, but one will be red. The red light
indicates the currently selected style variation. Press a
different button and you'll hear a different variation in
the accompaniment pattern.
The BREAK button is used to introduce a one-measure drum
break into your performance whenever you push it. The "break"
is included in the style itself and will differ with the different
styles. The INTRO button when ON will play a short intro for
the style. On the MAIN screen you'll see an INTRO ENDING window
(button [E]) that will allow you to change the intro or ending,
but only one of the possible variations is stored permanently
with the style. The ENDING button is shown just to the right
of the four MAIN buttons. Pressing ENDING will play a short
ending for your performance. Below ENDING, in small italicized
print, is .rit (ritard). This means to gradually slow
down. If you press the ENDING button twice quickly, you will
activate the ritard function and the ending will play but
also gradually slow down as the song ends. The next button
is AUTO FILL IN. If this is ON, a short drum fill will be
played when you move from one main variation to another.
I'll discuss OTS Link in this next section, but before we
go there, let's finish with the two remaining buttons. SYNC
STOP and SYNC START. When SYNC START is ON, the accompaniment
will start as soon as you hit a key in the accompaniment section
of your keyboard. When you do, and the accompaniment starts,
the SYNC START goes OFF because it has done its job. When
SYNC STOP is ON, the accompaniment will STOP as soon as you
take your fingers off of the accompaniment keys. At that point,
the SYNC START is automatically turned ON and the next time
you press a key, everything starts again. There may be times
in a performance where the accompaniment is to stop for a
few beats. You can use SYNC STOP to accomplish this. Of course,
you may also want to turn it off while things are stopped,
because it is pretty difficult to constantly have your fingers
touching the keyboard. Another case when you can use this
setting is if you want to start with a slow beat and gradually
increase the tempo to the correct speed for the style. Turn
SYNC STOP ON and then use your left hand to set the tempo.
Hit the keyboard for each beat, gradually increasing the speed.
Every time you do, you'll hear the first beat of the accompaniment
(drums, bass, other instruments), but his ends as soon as
you take your fingers off the keyboard. Try it out. You may
find this a useful technique sometime.
Linking Style Variations and OTS
Finally, notice that button labeled OTS LINK. This, too,
can be ON or OFF. When it is ON, the four main variations
are linked to the four OTS settings. When you play Main 1,
you will also be using OTS1. When you switch to MAIN 2 (or
3 or 4), the OTS will automatically switch to OTS2 (or OTS3
or OTS4). Every time you change the Main style variation,
the OTS setting will change with it. Note that this does not
work both ways! If you switch from OTS4 to OTS3, the MAIN
style variation does not change. You can set one style variation
and use all four OTS settings if you want. Experiment with
this to get a feeling for how it works. Turn OTS LINK on,
go to Main 1 and start the accompaniment. Then watch the MAIN
screen voices as you press Main 2, Main3, and Main4. You'll
see the voices change to what is saved in OTS2, OTS3, and
OTS4. Now try changing the OTS settings by pressing different
OTS buttons. Notice that the style variation does not change.
Making Your Own OTS
Although some of the settings by Yamaha may be just fine
for a style, they may or may not meet your own tastes. Every
PSR player seems to have their own particular style and favorite
voices. You can change the main/layer/left voices of course,
but what if you wanted your changes to be permanently stored
in the OTS of the style? Can that be done? Well, Yes! and
No!. You can never change the OTS that is in the preset styles
since you can not change anything in the preset styles. But
if you are willing to save a copy of that style, in USER area
or on a FLOPPY DISK, yes, you can then put in whatever OTS
you want. Take a look at the REGISTRATION MEMORY area on the
right-hand side of the keyboard. I won't discuss registration
memory right now, but I will discuss that MEMORY button at
the far right side of the 8 registration memory buttons.
If you press the MEMORY button and then press one of the
OTS buttons, your currently selected voices (main/layer/left)
and their volumes and other settings will be saved to that
OTS button. You will see a message saying that the OTS has
been changed and you need to SAVE the results if you want
to keep these new settings. You can respond YES to that. The
SAVE screen that comes up only allows you to save the style
in the USER area or on a FLOPPY. To experiment, save it in
the USER area. If you haven't renamed the style when you saved
it, you will see that style name in the PRESET area as well
as in the USER area. It's the same style, but the one in the
USER area has your OTS settings in it.
So, changing OTS and saving the new values in the style is
not at all difficult. You just have to save them in a version
of the style that you put in the USER area or on a floppy
disk. You may want to save other variations of the set up,
such as the style tempo. However, the tempo, like the accompaniment
voices and their volumes, are stored elsewhere in the style
file. They will not be saved by the simple procedure outlined
here. To save these settings you have to go into the Style
Creator and resave the whole style. The steps involved in
doing that are explained in detail in the Personalize section
in the lessons that discuss adjusting accompaniments in a
style.
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